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Cristiano Ronaldo Sits Out Al-Nassr Match Amid Growing Rift With Saudi Club Power Brokers

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Cristiano Ronaldo’s absence from Al-Nassr’s upcoming Saudi Pro League fixture has intensified scrutiny around the internal dynamics of one of the kingdom’s most prominent football clubs, as fresh details point to mounting frustration by the Portuguese star over transfer policy, governance and competitive balance within the league.

Ronaldo, the most decorated scorer in modern football and the highest-paid player in the sport’s history, will not feature in Al-Nassr’s next league match against Al-Riyadh. Initial explanations circulating in Saudi media suggested the 41-year-old was dealing with a minor physical concern. However, reporting by Portuguese outlet A Bola indicates the decision is rooted in dissatisfaction rather than fitness.

According to A Bola, Ronaldo has grown increasingly disillusioned with the role played by Saudi Arabia’s Public Investment Fund, which holds a controlling stake in Al-Nassr and three other Saudi Pro League clubs. The outlet attributes the forward’s frustration to what he perceives as preferential treatment toward rival sides, particularly league leaders Al-Hilal, during the most recent transfer window.

Ronaldo, who joined Al-Nassr in December 2022, has remained prolific on the pitch. He has scored 18 goals in 22 appearances across all competitions this season and has delivered 117 goals in 133 matches since arriving in Saudi Arabia. His contributions helped secure the Arab Club Champions Cup in 2023, one of the club’s most notable achievements in recent years.

Despite that output, A Bola reports that Ronaldo has privately voiced concerns that Al-Nassr failed to provide head coach Jorge Jesus with the reinforcements requested during the January transfer window. The club’s sole incoming addition was 21-year-old Iraqi midfielder Haydeer Abdulkareem, a signing that has done little to alter perceptions of competitive imbalance within the league.

In contrast, Al-Hilal bolstered their squad significantly, completing deals for former Arsenal defender Pablo Marí from Fiorentina and French forward Kader Meïté from Rennes in a transfer valued at approximately £26 million. The club has also been linked with a further £26 million move for Neom winger Saimon Bouabre, underlining the disparity in spending power between league rivals operating under the same ownership umbrella.

Last month, Jorge Jesus publicly acknowledged that imbalance, remarking that Al-Nassr “doesn’t have the political power of Al-Hilal.” The comments, delivered during a media appearance, prompted Al-Hilal to formally request a lengthy suspension for the coach, citing reputational harm. While no such sanction has been announced, the episode exposed tensions simmering beneath the league’s rapid expansion.

Further complicating matters for Al-Nassr is an internal restructuring that has reduced the influence of two figures close to Ronaldo. Sporting director Simão Coutinho and chief executive José Semedo, both long-time associates of the forward, had their authority curtailed earlier this month following a board-level decision. That move, as outlined by A Bola, has contributed to Ronaldo’s growing sense of marginalization within the club’s hierarchy.

The Public Investment Fund owns 75 percent stakes in Al-Nassr, Al-Hilal, Al-Ittihad and Al-Ahli and has been instrumental in transforming the Saudi Pro League into a global talking point. Its investment strategy has attracted elite players such as Karim Benzema, Riyad Mahrez and Kalidou Koulibaly, reshaping perceptions of Middle Eastern football and accelerating the league’s commercial profile.

Ronaldo’s situation, however, underscores the challenges of managing competitive integrity within a multi-club ownership model. While PIF has emphasized that each club operates independently, the uneven allocation of resources has fueled debate among players, coaches and supporters about fairness and long-term sustainability.

From a broader perspective, Ronaldo’s reported refusal to play marks a rare public rupture between the superstar and an employer that has built much of its global identity around his presence. Since arriving in Riyadh, Ronaldo has served as both a sporting talisman and a commercial ambassador, drawing unprecedented international attention to Saudi football.

His dissatisfaction carries implications beyond Al-Nassr. As the league continues to court elite talent, player confidence in governance structures may prove as important as financial incentives. High-profile figures expect not only lucrative contracts but also a clear commitment to competitiveness and sporting ambition.

Analysts note that Ronaldo’s stature amplifies the issue. When one of football’s most influential figures expresses discontent, it resonates across dressing rooms and boardrooms alike. The episode may prompt PIF and league officials to reassess how transfer strategies are communicated and how perceptions of favoritism are addressed.

At 41, Ronaldo remains driven by competition and legacy. While his scoring record in Saudi Arabia remains formidable, his ambitions extend beyond personal milestones. For Al-Nassr, resolving the standoff may require more than assurances; it may demand tangible evidence that the club intends to compete on equal footing with its rivals.

Whether Ronaldo’s absence represents a brief protest or a deeper fracture remains unclear. What is evident is that the Saudi Pro League’s rapid ascent now brings scrutiny that mirrors Europe’s elite competitions, where governance, transparency and sporting balance are increasingly central to the game’s credibility.

Bad Bunny makes Grammy history as Spanish-language album wins top prize amid political overtones

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LOS ANGELES, CALIFORNIA - FEBRUARY 01: Bad Bunny accepts the Album of the Year award for "DeBÍ TiRAR MáS FOToS" onstage during the 68th GRAMMY Awards at Crypto.com Arena on February 01, 2026 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for The Recording Academy)

Bad Bunny delivered one of the most consequential moments in Grammy Awards history on Sunday night, as his album “DeBÍ TiRAR MáS FOToS” captured Album of the Year, becoming the first all–Spanish-language release to claim the Recording Academy’s most prestigious honor.

LOS ANGELES, CALIFORNIA – FEBRUARY 01: Bad Bunny accepts the Album of the Year award for “DeBÍ TiRAR MáS FOToS” onstage during the 68th GRAMMY Awards at Crypto.com Arena on February 01, 2026 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for The Recording Academy)

The victory marked a watershed moment for global music and for Latin artists long underrepresented in the Grammys’ top categories. Accepting the award, Bad Bunny opened his remarks in Spanish, emphasizing the album’s deep connection to Puerto Rico, which he has described as his most culturally rooted project to date.

“Puerto Rico, believe me when I tell you that we are bigger than 100 by 35,” he told the audience, referencing the island’s size. “There is nothing we cannot achieve.”

The album’s title translates to “I Should Have Taken More Photos,” a reflection on memory, loss and identity that resonated far beyond Spanish-speaking audiences. The Recording Academy’s recognition followed the project’s Album of the Year win at the Latin Grammy Awards in November, cementing it as a critical and commercial favorite entering Sunday’s ceremony.

The award was Bad Bunny’s third of the night. Born Benito Antonio Martínez Ocasio, the 31-year-old artist used his final appearance on stage to thank the Recording Academy, collaborators and supporters throughout his career, including his mother. He then switched to English to dedicate the honor to immigrants.

“I want to dedicate this award to all the people who have had to leave their homeland, their country, to follow their dreams,” he said.

NBC News noted that Bad Bunny also addressed perseverance and grief, encouraging those who have lost loved ones to continue moving forward. The remarks echoed the emotional response to his song “DtMF,” which has inspired a viral trend of tribute videos honoring deceased friends and relatives.

Earlier in the broadcast, Bad Bunny injected sharper political commentary into the ceremony while accepting the Grammy for best música urbana album. Before offering thanks, he declared, “ICE out,” a phrase that drew applause inside the Crypto.com Arena.

“We’re not savage. We’re not animals. We’re not aliens,” he added. “We are humans, and we are Americans.”

Reuters reported that his words reflected a broader current of solidarity with immigrants that ran throughout the telecast. Opposition to deportation efforts ordered by U.S. President Donald Trump surfaced repeatedly, with several attendees, including Justin Bieber, seen wearing “ICE Out” buttons during the three-hour-plus broadcast.

The political undertones surrounding Bad Bunny’s recognition extended beyond the stage. He has been an outspoken critic of Immigration and Customs Enforcement sweeps and previously skipped touring in parts of the continental United States, citing concerns that federal agents might target his fans. 

His prominence comes as he prepares for an even wider introduction to mainstream American audiences next Sunday, when he is scheduled to headline the Super Bowl halftime show in Santa Clara, California. He will be the first Spanish-language Latin solo artist and the first reggaeton performer to lead the NFL’s marquee entertainment event.

His Super Bowl selection has drawn criticism from some traditionalists, including President Donald Trump, who called the choice “absolutely ridiculous” and said he had never heard of Bad Bunny. The artist publicly supported Trump’s Democratic opponent, Kamala Harris, in the 2024 presidential election.

Beyond Bad Bunny, the Grammys reflected a night shaped by both musical achievement and cultural symbolism. British soul-pop singer Olivia Dean, accepting the award for Best New Artist, paid tribute to her grandmother, who immigrated to Britain from Guyana as a teenager.

“I’m up here as a granddaughter of an immigrant,” Dean told the audience. “I am a product of bravery, and those people deserve to be celebrated.”

Kendrick Lamar entered the ceremony with a leading nine nominations and emerged with five awards, including Best Rap Album for “GNX” and a shared Record of the Year honor for “luther,” his collaboration with SZA. Song of the Year, which recognizes songwriters, went to Billie Eilish and her brother Finneas O’Connell for “Wildflower.”

In a milestone during the non-televised portion of the ceremony, “Golden,” from the Netflix animated film “KPop Demon Hunters,” earned Best Song Written for Visual Media. Reuters noted that the win marked the first time a K-pop song had received a Grammy. The track was performed in the film by a fictional group voiced by EJAE, Audrey Nuna and Rei Ami.

Lady Gaga collected awards for Best Pop Vocal Album with “Mayhem” and Best Dance-Pop Recording for “Abracadabra.” Trevor Noah hosted the Grammys for the sixth time, a role he previously said would be his final appearance as emcee.

The ceremony also produced a landmark moment for filmmaker Steven Spielberg, who achieved EGOT status — winning Emmy, Grammy, Oscar and Tony awards — after securing his first Grammy for Best Music Film as producer of “Music by John Williams.”

Grammy winners are selected by roughly 15,000 voting members of the Recording Academy, including artists, songwriters, producers and engineers. The organization has overhauled its membership in recent years to increase diversity. Reuters reported that about 1,000 Latin Grammy voters became eligible to vote this year, and nearly three-quarters of the current membership has joined since 2019.

Bad Bunny’s Album of the Year win signals more than a breakthrough for Spanish-language music; it reflects a broader recalibration within the Recording Academy toward global relevance. As streaming erases linguistic barriers, commercial success and cultural impact increasingly transcend English-language dominance. 

The convergence of music and political expression at this year’s Grammys suggests the awards are evolving into a platform where artistic achievement and social identity are openly intertwined. For Latin artists and immigrant communities, Bad Bunny’s victory stands as both validation and visibility, reinforcing the Grammys’ shifting role in an industry defined by international audiences rather than national borders.

Reuters/NBC

Grammys 2026 spotlight global music’s reach as Kendrick Lamar, Bad Bunny and Lady Gaga lead a wide-ranging field (Full List of Winners)

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The 2026 Grammy Awards unfolded as a sweeping portrait of a music industry in transition, blending superstar dominance with an expanding global footprint that reached far beyond the traditional centers of pop and rock. As the Recording Academy revealed winners and nominees across nearly 100 categories, the ceremony underscored how genre boundaries continue to blur while international sounds command growing attention from voters.

At the top of the marquee categories, Kendrick Lamar emerged as one of the night’s most influential figures, earning nominations across Album of the Year for GNX and multiple entries in Song and Record of the Year, including “luther” with SZA. Bad Bunny, whose Spanish-language releases have redefined global pop economics, also claimed a central place in the conversation with DeBÍ TiRAR MáS FOToS competing for Album of the Year and “DtMF” appearing in both Song and Record of the Year fields. Lady Gaga’s MAYHEM reinforced her staying power, while Justin Bieber, Sabrina Carpenter, Tyler, The Creator and Leon Thomas rounded out a field that mixed established hitmakers with newer chart forces.

The Album of the Year lineup alone reflected the Academy’s balancing act between commercial success and cultural influence. Alongside Bad Bunny and Lamar, voters recognized projects from Carpenter, Clipse with Pusha T and Malice, Lady Gaga, Bieber and Tyler, The Creator. Industry analysts note that the category now routinely accommodates hip-hop and Latin albums that once struggled for recognition in the Grammys’ most prestigious race, signaling a recalibration of what constitutes “mainstream” music.

Song of the Year and Record of the Year echoed similar themes. Entries such as Billie Eilish’s “WILDFLOWER,” Doechii’s “Anxiety,” ROSÉ and Bruno Mars’ “APT.” and Chappell Roan’s “The Subway” highlighted a year in which pop, alternative and hip-hop songwriting shared equal footing. Observers say the overlap between the two categories points to an era where strong songwriting and sonic innovation increasingly travel together, rather than occupying separate lanes.

Beyond the headline races, the breadth of the Grammys became most apparent in genre-specific categories. African and global music received heightened visibility, with Burna Boy, Davido, Ayra Starr and Tyla competing in Best African Music Performance, a category that continues to draw attention for its role in amplifying sounds from the continent. Global Music Performance and Global Music Album categories extended that reach further, recognizing artists from Latin America, Asia and Africa whose audiences now rival those of Western pop acts.

In hip-hop, the Academy leaned into both lyrical tradition and contemporary experimentation. Best Rap Album nominees included GNX by Kendrick Lamar, CHROMAKOPIA by Tyler, The Creator and Let God Sort Em Out from Clipse, Pusha T and Malice. Rap performance and songwriting fields featured a mix of veteran voices and newer artists, reinforcing hip-hop’s continued evolution rather than a fixed stylistic identity.

Pop categories told a parallel story. Best Pop Solo Performance and Best Pop Vocal Album featured familiar names such as Bieber, Gaga and Miley Cyrus, while Best Pop Duo/Group Performance showcased cross-genre collaborations, including Cynthia Erivo and Ariana Grande’s “Defying Gravity” and SZA’s partnership with Kendrick Lamar. Music industry commentators say these collaborations reflect a streaming-driven era in which fan bases merge across stylistic lines.

Rock, alternative and metal categories highlighted resilience within guitar-driven music, even as those genres occupy a smaller share of mainstream charts. Acts like Turnstile, Linkin Park, Hayley Williams and YUNGBLUD appeared across performance, song and album fields, suggesting that innovation within rock continues to resonate with Grammy voters despite shifting commercial trends.

R&B categories emphasized both traditional craftsmanship and modern reinterpretation. Leon Thomas surfaced repeatedly, appearing in album, performance and songwriting fields, while established voices such as Summer Walker, Chris Brown and Ledisi maintained a presence. Analysts note that R&B’s Grammy recognition increasingly rewards versatility, with artists moving fluidly between live recordings, studio projects and collaborative efforts.

Country, Americana and roots music categories painted a picture of continuity and reinvention. Tyler Childers, Lainey Wilson, Miranda Lambert and Willie Nelson anchored fields that balanced heritage with contemporary storytelling. At the same time, Americana and roots awards leaned into lyrical depth and regional identity, reinforcing the Grammys’ role as a platform for music that thrives outside pop radio.

Classical, jazz and instrumental categories remained a cornerstone of the ceremony’s artistic scope. From orchestral and opera recordings to jazz vocal and instrumental albums, these fields underscored the technical rigor that continues to define the Grammys’ more traditional domains. Producers, engineers and arrangers also received recognition, highlighting the collaborative labor behind recorded music.

Taken together, the 2026 Grammy Awards illustrated an institution still negotiating its place in a rapidly globalizing industry. While star power remains central to its appeal, the expanding range of nominees suggests a broader definition of excellence—one that increasingly reflects how audiences around the world consume, share and shape music.

As the Recording Academy continues to refine its categories and voting practices, the outcomes of 2026 point toward a future in which international influence and genre hybridity are no longer exceptions but expectations. Whether that evolution satisfies critics of the Grammys or fuels further debate, the ceremony once again succeeded in capturing a snapshot of music at a moment of change.

Full list:

2026 Grammy Award Winners and Nominees

Album of the Year

  • DeBÍ TiRAR MáS FOToS, Bad Bunny
  • SWAG, Justin Bieber
  • Man’s Best Friend, Sabrina Carpenter
  • Let God Sort Em Out, Clipse, Pusha T & Malice, Pharrell Williams
  • MAYHEM, Lady Gaga
  • GNX, Kendrick Lamar
  • MUTT, Leon Thomas
  • CHROMAKOPIA, Tyler, The Creator

Song of the Year

  • “Abracadabra,” Lady Gaga
  • “Anxiety,” Doechii
  • “APT.,” ROSÉ & Bruno Mars
  • “DtMF,” Bad Bunny
  • “Golden” (From KPop Demon Hunters), EJAE & Mark Sonnenblick
  • “luther,” Kendrick Lamar with SZA
  • “Manchild,” Sabrina Carpenter
  • “WILDFLOWER,” Billie Eilish

Best New Artist

  • Olivia Dean
  • KATSEYE
  • The Marías
  • Addison Rae
  • sombr
  • Leon Thomas
  • Alex Warren
  • Lola Young

Record of the Year

  • “DtMF,” Bad Bunny
  • “Manchild,” Sabrina Carpenter
  • “Anxiety,” Doechii
  • “WILDFLOWER,” Billie Eilish
  • “Abracadabra,” Lady Gaga
  • “luther,” Kendrick Lamar with SZA
  • “The Subway,” Chappell Roan
  • “APT.,” ROSÉ & Bruno Mars

Producer of the Year, Non-Classical

  • Dan Auerbach
  • Cirkut
  • Dijon
  • Blake Mills
  • Sounwave

Songwriter of the Year, Non-Classical

  • Amy Allen
  • Edgar Barrera
  • Jessie Jo Dillon
  • Tobias Jesso Jr.
  • Laura Veltz

Best Pop Solo Performance

  • “DAISIES,” Justin Bieber
  • “Manchild,” Sabrina Carpenter
  • “Disease,” Lady Gaga
  • “The Subway,” Chappell Roan
  • “Messy,” Lola Young

Best Pop Duo/Group Performance

  • “Defying Gravity,” Cynthia Erivo & Ariana Grande
  • “Golden” (From KPop Demon Hunters), HUNTR/X
  • “Gabriela,” KATSEYE
  • “APT.,” ROSÉ & Bruno Mars
  • “30 For 30,” SZA with Kendrick Lamar

Best Pop Vocal Album

  • SWAG, Justin Bieber
  • Man’s Best Friend, Sabrina Carpenter
  • Something Beautiful, Miley Cyrus
  • Mayhem, Lady Gaga
  • I’ve Tried Everything But Therapy (Part 2), Teddy Swims

Best Dance/Electronic Recording

  • “No Cap,” Disclosure & Anderson .Paak
  • “Victory Lap,” Fred again.., Skepta & PlaqueBoyMax
  • “SPACE INVADER,” KAYTRANADA
  • “VOLTAGE,” Skrillex
  • “End of Summer,” Tame Impala

Best Dance Pop Recording

  • “Bluest Flame,” Selena Gomez & Benny Blanco
  • “Abracadabra,” Lady Gaga
  • “Midnight Sun,” Zara Larsson
  • “Just Keep Watching” (From F1 The Movie), Tate McRae
  • “Illegal,” PinkPantheress

Best Dance/Electronic Album

  • EUSEXUA, FKA twigs
  • Ten Days, Fred again..
  • Fancy That, PinkPantheress
  • Inhale / Exhale, RÜFÜS DU SOL
  • F** U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3*, Skrillex

Best Remixed Recording

  • “Abracadabra (Gesaffelstein Remix),” Gesaffelstein
  • “Don’t Forget About Us,” KAYTRANADA
  • “A Dream’s A Dream – Ron Trent Remix,” Ron Trent
  • “Galvanize,” Chris Lake
  • “Golden – David Guetta REM/X,” David Guetta

Best Rock Performance

  • “U Should Not Be Doing That,” Amyl and the Sniffers
  • “The Emptiness Machine,” Linkin Park
  • “NEVER ENOUGH,” Turnstile
  • “Mirtazapine,” Hayley Williams
  • “Changes (Live From Villa Park),” YUNGBLUD feat. Nuno Bettencourt, Frank Bello, Adam Wakeman & II

Best Metal Performance

  • “Night Terror,” Dream Theater
  • “Lachryma,” Ghost
  • “Emergence,” Sleep Token
  • “Soft Spine,” Spiritbox
  • “BIRDS,” Turnstile

Best Rock Song

  • “As Alive As You Need Me To Be,” Nine Inch Nails
  • “Caramel,” Sleep Token
  • “Glum,” Hayley Williams
  • “NEVER ENOUGH,” Turnstile
  • “Zombie,” YUNGBLUD

Best Rock Album

  • private music, Deftones
  • I quit, HAIM
  • From Zero, Linkin Park
  • NEVER ENOUGH, Turnstile
  • Idols, YUNGBLUD

Best Alternative Music Performance

  • “Everything Is Peaceful Love,” Bon Iver
  • “Alone,” The Cure
  • “SEEIN’ STARS,” Turnstile
  • “Mangetout,” Wet Leg
  • “Parachute,” Hayley Williams

Best Alternative Music Album

  • SABLE, fABLE, Bon Iver
  • Songs of a Lost World, The Cure
  • DON’T TAP THE GLASS, Tyler, The Creator
  • moisturizer, Wet Leg
  • Ego Death at a Bachelorette Party, Hayley Williams

Best R&B Performance

  • “YUKON,” Justin Bieber
  • “It Depends,” Chris Brown feat. Bryson Tiller
  • “Folded,” Kehlani
  • “MUTT (Live From NPR’s Tiny Desk),” Leon Thomas
  • “Heart of a Woman,” Summer Walker

Best Traditional R&B Performance

  • “Here We Are,” Durand Bernarr
  • “UPTOWN,” Lalah Hathaway
  • “LOVE YOU TOO,” Ledisi
  • “Crybaby,” SZA
  • “VIBES DON’T LIE,” Leon Thomas

Best R&B Song

  • “Folded,” Kehlani
  • “Heart of a Woman,” Summer Walker
  • “It Depends,” Chris Brown feat. Bryson Tiller
  • “Overqualified,” Durand Bernarr
  • “YES IT IS,” Leon Thomas

Best Progressive R&B Album

  • BLOOM, Durand Bernarr
  • Adjust Brightness, Bilal
  • LOVE ON DIGITAL, Destin Conrad
  • Access All Areas, FLO
  • Come As You Are, Terrace Martin & Kenyon Dixon

Best R&B Album

  • BELOVED, GIVĒON
  • Why Not More?, Coco Jones
  • The Crown, Ledisi
  • Escape Room, Teyana Taylor
  • MUTT, Leon Thomas

Best Rap Performance

  • “Outside,” Cardi B
  • “Chains & Whips,” Clipse, Pusha T & Malice feat. Kendrick Lamar & Pharrell Williams
  • “Anxiety,” Doechii
  • “tv off,” Kendrick Lamar feat. Lefty Gunplay
  • “Darling, I,” Tyler, The Creator feat. Teezo Touchdown

Best Melodic Rap Performance

  • “Proud of Me,” Fridayy feat. Meek Mill
  • “Wholeheartedly,” JID feat. Ty Dolla $ign & 6LACK
  • “luther,” Kendrick Lamar with SZA
  • “WeMaj,” Terrace Martin & Kenyon Dixon feat. Rapsody
  • “SOMEBODY LOVES ME,” PARTYNEXTDOOR & Drake

Best Rap Song

  • “Anxiety,” Doechii
  • “The Birds Don’t Sing,” Clipse feat. John Legend & Voices of Fire
  • “Sticky,” Tyler, The Creator feat. GloRilla, Sexyy Red & Lil Wayne
  • “TGIF,” GloRilla
  • “tv off,” Kendrick Lamar feat. Lefty Gunplay

Best Rap Album

  • Let God Sort Em Out, Clipse, Pusha T & Malice
  • GLORIOUS, GloRilla
  • God Does Like Ugly, JID
  • GNX, Kendrick Lamar
  • CHROMAKOPIA, Tyler, The Creator

Best Spoken Word Poetry Album

  • A Hurricane in Heels: healed people don’t act like that (partially recorded live @City Winery & other places), Queen Sheba
  • Black Shaman, Marc Marcel
  • Pages, Omari Hardwick & Anthony Hamilton
  • Saul Williams meets Carlos Niño & Friends at Treepeople, Saul Williams, Carlos Niño & Friends
  • Words For Days Vol. 1, Mad Skillz

Best Country Solo Performance

  • “Nose on the Grindstone,” Tyler Childers
  • “Good News,” Shaboozey
  • “Bad As I Used to Be” (From F1 The Movie), Chris Stapleton
  • “I Never Lie,” Zach Top
  • “Somewhere Over Laredo,” Lainey Wilson

Best Country Duo/Group Performance

  • “A Song to Sing,” Miranda Lambert & Chris Stapleton
  • “Trailblazer,” Reba McEntire, Miranda Lambert & Lainey Wilson
  • “Love Me Like You Used to Do,” Margo Price & Tyler Childers
  • “Amen,” Shaboozey & Jelly Roll
  • “Honky Tonk Hall of Fame,” George Strait & Chris Stapleton

Best Country Song

  • “Bitin’ List,” Tyler Childers
  • “Good News,” Shaboozey
  • “I Never Lie,” Zach Top
  • “Somewhere Over Laredo,” Lainey Wilson
  • “A Song to Sing,” Miranda Lambert & Chris Stapleton

Best Contemporary Country Album

  • Patterns, Kelsea Ballerini
  • Snipe Hunter, Tyler Childers
  • Evangeline Vs. The Machine, Eric Church
  • Beautifully Broken, Jelly Roll
  • Postcards From Texas, Miranda Lambert

Best Traditional Country Album

  • Dollar a Day, Charley Crockett
  • American Romance, Lukas Nelson
  • Oh What a Beautiful World, Willie Nelson
  • Hard Headed Woman, Margo Price
  • Ain’t in It for My Health, Zach Top

Best American Roots Performance

  • “LONELY AVENUE,” Jon Batiste feat. Randy Newman
  • “Ancient Light,” I’m With Her
  • “Crimson and Clay,” Jason Isbell
  • “Richmond on the James,” Alison Krauss & Union Station
  • “Beautiful Strangers,” Mavis Staples

Best Americana Performance

  • “Boom,” Sierra Hull
  • “Poison in My Well,” Maggie Rose & Grace Potter
  • “Godspeed,” Mavis Staples
  • “That’s Gonna Leave a Mark,” Molly Tuttle
  • “Horses,” Jesse Welles

Best American Roots Song

  • “Ancient Light,” I’m With Her
  • “BIG MONEY,” Jon Batiste
  • “Foxes in the Snow,” Jason Isbell
  • “Middle,” Jesse Welles
  • “Spitfire,” Sierra Hull

Best Americana Album

  • BIG MONEY, Jon Batiste
  • Bloom, Larkin Poe
  • Last Leaf on the Tree, Willie Nelson
  • So Long Little Miss Sunshine, Molly Tuttle
  • Middle, Jesse Welles

Best Bluegrass Album

  • Carter & Cleveland, Michael Cleveland & Jason Carter
  • A Tip Toe High Wire, Sierra Hull
  • Arcadia, Alison Krauss & Union Station
  • Outrun, The Steeldrivers
  • Highway Prayers, Billy Strings

Best Traditional Blues Album

  • Ain’t Done With the Blues, Buddy Guy
  • Room on the Porch, Taj Mahal & Keb’ Mo’
  • One Hour Mama: The Blues of Victoria Spivey, Maria Muldaur
  • Look Out Highway, Charlie Musselwhite
  • Young Fashioned Ways, Kenny Wayne Shepherd & Bobby Rush

Best Contemporary Blues Album

  • Breakthrough, Joe Bonamassa
  • Paper Doll, Samantha Fish
  • A Tribute to LJK, Eric Gales
  • Preacher Kids, Robert Randolph
  • Family, Southern Avenue

Best Folk Album

  • What Did the Blackbird Say to the Crow, Rhiannon Giddens & Justin Robinson
  • Crown of Roses, Patty Griffin
  • Wild and Clear and Blue, I’m With Her
  • Foxes in the Snow, Jason Isbell
  • Under the Powerlines (April 24 – September 24), Jesse Welles

Best Regional Roots Music Album

  • Live at Vaughan’s, Corey Henry & The Treme Funktet
  • For Fat Man, Preservation Brass & Preservation Hall Jazz Band
  • Church of New Orleans, Kyle Roussel
  • Second Line Sunday, Trombone Shorty & New Breed Brass Band
  • A Tribute to the King of Zydeco, Various Artists

Best Latin Pop Album

  • Cosa Nuestra, Rauw Alejandro
  • BOGOTÁ (DELUXE), Andrés Cepeda
  • Tropicoqueta, KAROL G
  • Cancionera, Natalia Lafourcade
  • ¿Y ahora qué?, Alejandro Sanz

Best Música Urbana Album

  • DeBÍ TiRAR MáS FOToS, Bad Bunny
  • Mixteip, J Balvin
  • FERXXO VOL X: Sagrado, Feid
  • NAIKI, Nicki Nicole
  • EUB DELUXE, Trueno
  • SINFÓNICO (En Vivo), Yandel

Best Latin Rock or Alternative Album

  • Genes Rebeldes, Aterciopelados
  • ASTROPICAL, Bomba Estéreo, Rawayana & ASTROPICAL
  • PAPOTA, CA7RIEL & Paco Amoroso
  • ALGORHYTHM, Los Wizzards
  • Novela, Fito Páez

Best Música Mexicana Album (Including Tejano)

  • MALA MÍA, Fuerza Regida & Grupo Frontera
  • Y Lo Que Viene, Grupo Frontera
  • Sin Rodeos, Paola Jara
  • Palabra De To’s (Seca), Carín León
  • Bobby Pulido & Friends Una Tuya Y Una Mía – Por La Puerta Grande (En Vivo), Bobby Pulido

Best Tropical Latin Album

  • Fotografías, Rubén Blades, Roberto Delgado & Orquesta
  • Raíces, Gloria Estefan
  • Clásicos 1.0, Grupo Niche
  • Bingo, Alain Pérez
  • Debut y Segunda Tanda, Vol. 2, Gilberto Santa Rosa

Best Global Music Performance

  • “EoO,” Bad Bunny
  • “Cantando en el Camino,” Ciro Hurtado
  • “JERUSALEMA,” Angélique Kidjo
  • “Inmigrante Y Que?,” Yeisy Rojas
  • “Shrini’s Dream (Live),” Shakti
  • “Daybreak,” Anoushka Shankar feat. Alam Khan & Sarathy Korwar

Best African Music Performance

  • “Love,” Burna Boy
  • “With You,” Davido feat. Omah Lay
  • “Hope & Love,” Eddy Kenzo & Mehran Matin
  • “Gimme Dat,” Ayra Starr feat. Wizkid
  • “PUSH 2 START,” Tyla

Best Global Music Album

  • Sounds Of Kumbha, Siddhant Bhatia
  • No Sign of Weakness, Burna Boy
  • Eclairer le monde – Light the World, Youssou N’Dour
  • Mind Explosion (50th Anniversary Tour Live), Shakti
  • Chapter III: We Return To Light, Anoushka Shankar
  • Caetano e Bethânia Ao Vivo, Caetano Veloso & Maria Bethânia

Best Reggae Album

  • Treasure Self Love, Lila Iké
  • Heart & Soul, Vybz Kartel
  • BLXXD & FYAH, Keznamdi
  • From Within, Mortimer
  • No Place Like Home, Jesse Royal

Best New Age, Ambient or Chant Album

  • Kuruvinda, Kirsten Agresta-Copely
  • According To The Moon, Cheryl B. Engelhardt, GEM & Dallas String Quartet
  • Into The Forest, Jahnavi Harrison
  • Nomadica, Carla Patullo feat. The Scorchio Quartet & Tonality
  • The Colors In My Mind, Chris Redding

Best Album Cover

  • CHROMAKOPIA, Tyler, The Creator
  • The Crux, Djo
  • Debí Tirar Más Fotos, Bad Bunny
  • Glory, Perfume Genius
  • moisturizer, Wet Leg

Best Recording Package

  • And The Adjacent Possible, OK Go
  • Balloonerism, Mac Miller
  • Danse Macabre: De Luxe, Duran Duran
  • Loud Is As, Tsunami
  • Sequoia, Various Artists
  • The Spins (Picture Disc Vinyl), Mac Miller
  • Tracks II: The Lost Albums, Bruce Springsteen

Best Album Notes

  • Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964–1974, Buck Owens & His Buckaroos
  • After The Last Sky, Anouar Brahem et al.
  • Árabe, Amanda Ekery
  • The First Family: Live At Winchester Cathedral 1967, Sly & The Family Stone
  • A Ghost Is Born (20th Anniversary Deluxe Edition), Wilco
  • Miles ’55: The Prestige Recordings, Miles Davis

Best Historical Album

  • Joni Mitchell Archives – Volume 4: The Asylum Years (1976-1980)
    Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
  • The Making of Five Leaves Left
    Joe Black, Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers; Richard Whittaker & John Wood, restoration engineer (Nick Drake)
  • Roots Rocking Zimbabwe – The Modern Sound Of Harare’ Townships 1975-1980 (Analog Africa No.41)
    Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Various Artists)
  • Super Disco Pirata – De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39)
    Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Jordan McLeod, restoration engineer (Various Artists)
  • You Can’t Hip A Square: The Doc Pomus Songwriting Demos
    Will Bratton, Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Doc Pomus)

Best Jazz Performance

  • “Noble Rise,” Lakecia Benjamin feat. Immanuel Wilkins & Mark Whitfield
  • “Windows – Live,” Chick Corea, Christian McBride & Brian Blade
  • “Peace Of Mind / Dreams Come True,” Samara Joy
  • “Four,” Michael Mayo
  • “All Stars Lead To You – Live,” Nicole Zuraitis et al.

Best Jazz Vocal Album

  • Elemental, Dee Dee Bridgewater & Bill Charlap
  • We Insist 2025!, Terri Lyne Carrington & Christie Dashiell
  • Portrait, Samara Joy
  • Fly, Michael Mayo
  • Live at Vic’s Las Vegas, Nicole Zuraitis et al.

Best Jazz Instrumental Album

  • Trilogy 3 (Live), Chick Corea, Christian McBride & Brian Blade
  • Southern Nights, Sullivan Fortner
  • Belonging, Branford Marsalis Quartet
  • Spirit Fall, John Patitucci
  • Fasten Up, Yellowjackets

Best Large Jazz Ensemble Album

  • Orchestrator Emulator, The 8-Bit Big Band
  • Without Further Ado, Vol. 1, Christian McBride Big Band
  • Lumen, Danilo Pérez & Bohuslän Big Band
  • Basie Rocks!, Deborah Silver & The Count Basie Orchestra
  • Lights on a Satellite, Sun Ra Arkestra
  • Some Days Are Better: The Lost Scores, Kenny Wheeler Legacy

Best Latin Jazz Album

  • La Fleur de Cayenne, Paquito D’Rivera & Madrid–New York Connection
  • The Original Influencers, Arturo O’Farrill & The Afro Latin Jazz Orchestra
  • Mundoagua, Arturo O’Farrill & The Afro Latin Jazz Orchestra
  • A Tribute to Benny Moré and Nat King Cole, Gonzalo Rubalcaba et al.
  • Vanguardia Subterránea (Live), Miguel Zenón Quartet

Best Alternative Jazz Album

  • honey from a winter stone, Ambrose Akinmusire
  • Keys To The City Volume One, Robert Glasper
  • Ride into the Sun, Brad Mehldau
  • LIVE-ACTION, Nate Smith
  • Blues Blood, Immanuel Wilkins

Best Traditional Pop Vocal Album

  • Wintersongs, Laila Biali
  • The Gift of Love, Jennifer Hudson
  • Who Believes in Angels?, Elton John & Brandi Carlile
  • Harlequin, Lady Gaga
  • A Matter of Time, Laufey
  • The Secret of Life: Partners, Volume 2, Barbra Streisand

Best Musical Theater Album

  • Buena Vista Social Club
  • Death Becomes Her
  • Gypsy
  • Just In Time
  • Maybe Happy Ending

Best Gospel Album

  • Sunny Days, Yolanda Adams
  • Tasha, Tasha Cobbs Leonard
  • Live Breathe Fight, Tamela Mann
  • Only on the Road (Live), Tye Tribbett
  • Heart of Mine, Darrel Walls, PJ Morton

Best Gospel Performance/Song

  • “Do It Again,” Kirk Franklin
  • “Church,” Tasha Cobbs Leonard & John Legend
  • “Still (Live),” Jonathan McReynolds & Jamal Roberts
  • “Amen,” Pastor Mike Jr.
  • “Come Jesus Come,” CeCe Winans feat. Shirley Caesar

Best Contemporary Christian Music Performance/Song

  • “I Know A Name,” Elevation Worship, Chris Brown & Brandon Lake
  • “YOUR WAY’S BETTER,” Forrest Frank
  • “Hard Fought Hallelujah,” Brandon Lake with Jelly Roll
  • “Headphones,” Lecrae, Killer Mike & T.I.
  • “Amazing,” Darrel Walls & PJ Morton

Best Contemporary Christian Music Album

  • CHILD OF GOD II, Forrest Frank
  • Coritos Vol. 1, Israel & New Breed
  • King of Hearts, Brandon Lake
  • Reconstruction, Lecrae
  • Let the Church Sing, Tauren Wells

Best Roots Gospel Album

  • I Will Not Be Moved (Live), The Brooklyn Tabernacle Choir
  • Then Came the Morning, Gaither Vocal Band
  • Praise & Worship: More Than A Hollow Hallelujah, The Isaacs
  • Good Answers, Karen Peck & New River
  • Back to My Roots, Candi Staton

Best Compilation Soundtrack for Visual Media

  • A Complete Unknown
  • F1 The Album
  • KPop Demon Hunters
  • Sinners
  • Wicked

Best Score Soundtrack For Visual Media (Includes Film And Television)

  • How To Train Your Dragon, John Powell, composer
  • Severance: Season 2, Theodore Shapiro, composer
  • Sinners, Ludwig Göransson, composer
  • Wicked, John Powell & Stephen Schwartz, composers
  • The Wild Robot, Kris Bowers, composer

Best Score Soundtrack for Video Games and Other Interactive Media

  • Avatar: Frontiers of Pandora – Secrets of the Spires, Pinar Toprak, composer
  • Helldivers 2, Wilbert Roget, II, composer
  • Indiana Jones and the Great Circle, Gordy Haab, composer
  • Star Wars Outlaws: Wild Card & A Pirate’s Fortune, Cody Matthew Johnson & Wilbert Roget, II, composers
  • Sword of the Sea, Austin Wintory, composer

Best Song Written for Visual Media

  • “As Alive As You Need Me To Be [From TRON: Ares],” Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
  • “Golden [From KPop Demon Hunters],” EJAE, Park Hong Jun, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo & Mark Sonnenblick, songwriters, (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
  • “I Lied to You [From Sinners],” Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)
  • “Never Too Late [From Elton John: Never Too Late],” Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)
  • “Pale, Pale Moon [From Sinners],” Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)
  • “Sinners [From Sinners],” Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Poviliunas, songwriters (Rod Wave)

Best Music Video

  • “Young Lion,” Sade
  • “Manchild,” Sabrina Carpenter
  • “So Be It,” Clipse
  • “Anxiety,” Doechii
  • “Love,” OK Go

Best Music Film

  • Devo, Devo
  • Live at the Royal Albert Hall, RAYE
  • Relentless, Diane Warren
  • Music by John Williams, John Williams
  • Piece by Piece, Pharrell Williams

Best Engineered Album, Non-Classical

  • All Things Light, Jesse Brock, Jon Castelli, Matt Chamberlain, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence “Boo” Mitchell, Rob Moose, Anders Mouridsen, Ryan Nasci, Ernesto Olvera-LaPier, Ethan Schneiderman. Rahm Silverglade & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)
  • Arcadia, Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
  • For Melancholy Brunettes (& sad women), Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)
  • That Wasn’t A Dream, Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)

Best Engineered Album, Classical

  • Cerrone: Don’t Look Down, Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)
  • Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2, Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)
  • Shostakovich: Lady Macbeth of the Mtsensk District, Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)
  • Standard Stoppages, Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)
  • Yule, Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)

Producer of the Year, Classical

  • Blanton Alspaugh
  • Sergei Kvitko
  • Morten Lindberg
  • Dmitriy Lipay
  • Elaine Martone

Best Instrumental Composition

  • “First Snow,” Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)
  • “Live Life This Day: Movement I,” Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)
  • “Lord, That’s A Long Way,” Sierra Hull, composer (Sierra Hull)
  • “Opening,” Zain Effendi, composer (Zain Effendi)
  • “Train to Emerald City,” John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)
  • “Why You Here / Before the Sun Went Down,” Ludwig Göransson, composer (Ludwig Göransson Featuring Miles Caton)

Best Arrangement, Instrumental or A Cappella

  • “Be Okay,” Cynthia Erivo, arranger (Cynthia Erivo)
  • “A Child Is Born,” Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)
  • “Fight On,” Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)
  • “Super Mario Praise Break,” Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)

Best Arrangement, Instruments and Vocals

  • “Big Fish,” Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith Featuring säje)
  • “How Did She Look?,” Nelson Riddle, arranger (Seth MacFarlane)
  • “Keep an Eye on Summer,” Jacob Collier, arranger (Jacob Collier)
  • “Something in the Water (Acoustic-Ish),” Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)
  • “What A Wonderful World,” Cody Fry, arranger (Cody Fry)

Best Orchestral Performance

  • “Coleridge-Taylor: Toussaint L’Ouverture; Ballade Op. 4; Suites From ’24 Negro Melodies,’” Michael Repper, conductor (National Philharmonic)
  • “Messiaen: Turangalîla-Symphonie,” Andris Nelsons, conductor (Boston Symphony Orchestra)
  • “Ravel: Boléro, M. 81,” Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)
  • “Still & Bonds,” Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
  • “Stravinsky: Symphony In Three Movements,” Esa-Pekka Salonen, conductor (San Francisco Symphony)

Best Opera Recording

  • “Heggie: Intelligence,” Kwamé Ryan, conductor; Jamie Barton, J’Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)
  • “Huang Ruo: An American Soldier,” Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang)
  • “Kouyoumdjian: Adoration,” Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O’Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)
  • “O’Halloran: Trade & Mary Motorhead,” Elaine Kelly, conductor; Oisín Ó Dálaigh, John Molloy & Naomi Louisa O’Connell; Alex Dowling & Emma O’Halloran, producers (Irish National Opera Orchestra; Mark O’Halloran)
  • “Tesori: Grounded,” Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D’Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant

Best Choral Performance

  • “Advena – Liturgies For A Broken World,” Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)
  • “Childs: In the Arms of the Beloved,” Grant Gershon, conductor (Billy Childs, Dan Chmlellnskl, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)
  • “Lang: Poor Hymnal,” Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)
  • “Ortiz: Yanga,” Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic & Tambuco Percussion Ensemble; Los Angeles Master Chorale)
  • “Requiem of Light,” Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)

Best Chamber Music/Small Ensemble Performance

  • “Dennehy: Land Of Winter,” Alan Pierson & Alarm Will Sound
  • “La Mer – French Piano Trios,” Neave Trio
  • “Lullabies for the Brokenhearted,” Lili Haydn & Paul Cantelon
  • “Slavic Sessions,” Mak Grgić & Mateusz Kowalski
  • “Standard Stoppages,” Third Coast Percussion

Best Classical Instrumental Solo

  • “Coleridge-Taylor: 3 Selections From ’24 Negro Melodies,’” Curtis Stewart; Michael Repper, conductor (National Philharmonic)
  • “Hope Orchestrated,” Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)
  • “Inheritances,” Adam Tendler
  • “Price: Piano Concerto In One Movement In D Minor,” Han Chen; John Jeter, conductor (Malmö Opera Orchestra)
  • “Shostakovich: The Cello Concertos,” Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)
  • “Shostakovich: The Piano Concertos; Solo Works,” Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Classical Solo Vocal Album

  • Alike – My Mother’s Dream, Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)
  • Black Pierrot, Sidney Outlaw, soloist; Warren Jones, pianist
  • In This Short Life, Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, accompanist
  • Kurtág: Kafka Fragments, Susan Narucki, soloist; Curtis Macomber, accompanist
  • Schubert Beatles, Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)
  • Telemann: Ino – Opera Arias For Soprano, Amanda Forsythe, soloist; Robert Mealy, Paul O’Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)

Best Classical Compendium

  • Cerrone: Don’t Look Down, Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers
  • The Dunbar/Moore Sessions, Vol. II, Will Liverman; Jonathan Estabrooks, producer
  • Ortiz: Yanga, Gustavo Dudamel, conductor; Dmitriy Lipay, producer
  • Seven Seasons, Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers
  • Tombeaux, Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers

Best Contemporary Classical Composition

  • Cerrone: Don’t Look Down, Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)
  • Dennehy: Land of Winter, Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)
  • León: Raíces (Origins), Tania León, composer (Edward Gardner & London Philharmonic Orchestra)
  • Okpebholo: Songs in Flight, Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)
  • Ortiz: Dzonot, Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

Best Immersive Audio Album

  • All American F***boy, Andrew Law, immersive mix engineer (Duckwrth)
  • Immersed, Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)
  • An Immersive Tribute to Astor Piazzolla (Live), Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)
  • Tearjerkers, Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)
  • Yule, Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)

Best Comedy Album

  • Drop Dead Years, Bill Burr
  • PostMortem, Sarah Silverman
  • Single Lady, Ali Wong
  • What Had Happened Was…, Jamie Foxx
  • Your Friend, Nate Bargatze, Nate Bargatze

Tyla beats Davido, Burna Boy to win Best African Music Performance at 2026 Grammys

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South African singer Tyla won the Grammy Award for Best African Music Performance on Sunday night, beating Nigerian heavyweights Davido and Burna Boy at the 2026 Grammy Awards in Los Angeles.

The win came as the Recording Academy celebrated global music excellence across nearly 100 categories during its annual ceremony, which honors achievements ranging from Album of the Year to Best New Artist. The award was announced during the Grammys’ premiere events ahead of the main televised show.

The 68th annual Grammy Awards, hosted by Trevor Noah, aired Sunday night on CBS and Paramount+ from the Crypto.com Arena in downtown Los Angeles. Performers included Sabrina Carpenter, Bruno Mars and Lady Gaga.

Kendrick Lamar entered the night as the most-nominated artist, earning nods in nine categories. Lady Gaga followed with seven nominations, tied with producers Jack Antonoff and Cirkut, while Sabrina Carpenter and Bad Bunny each received six nominations.

For many nominees, including those in the African music category, the Grammys festivities began earlier in the day at the premiere ceremony held at the Peacock Theater. The event is where the Recording Academy announces winners in the majority of categories not featured during the main broadcast.

Tyla’s victory marks another milestone for African music on the global stage, highlighting the growing influence of the continent’s artists within the Recording Academy’s voting body.

Reheated School Meal Sends Dozens of Students to Hospital, Raising Fresh Food Safety Concerns in India

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More than 20 schoolchildren were hospitalized after falling ill from food poisoning linked to a reheated meal served at a government-run primary school in southern India, an incident that has intensified scrutiny of food safety practices in public education programs.

The illnesses occurred Thursday, Jan. 29, at a Mandal Parishad primary school in Telangana state, where students were served food that had been prepared the previous day and reheated before being distributed under a government-supported school lunch initiative. The episode was first brought to public attention by CNN-News 18 and Telangana Today.

Local officials said at least 42 students consumed the meal, while 22 later exhibited symptoms associated with foodborne illness. Several children became visibly unwell while eating, complaining of vomiting, diarrhea and abdominal pain, prompting school staff to arrange emergency medical care, CNN-News 18 and Telangana Today said.

The students were transported to a nearby hospital, where doctors evaluated and treated them. Medical personnel stabilized all of the affected children, and none were reported to be in critical condition, CNN-News 18 said.

Media accounts indicated the meal had originally been cooked for a school-related function held a day earlier and was later reheated and served to students. Health and education officials have launched an inquiry into how the food was stored, reheated and distributed, as well as whether safety guidelines were followed.

As the investigation unfolded, authorities removed a staff member involved in preparing the lunch from their post, The Independent reported. The school’s principal was also issued a show-cause notice by the District Educational Officer, a formal administrative step requiring the official to explain their actions before potential disciplinary measures are considered.

The Khammam District government did not respond to requests for comment from PEOPLE as of Sunday, Feb. 1.

The Jan. 29 incident marked the second reported case of food poisoning at a public school in the area within a span of days, according to Telangana Today, heightening concerns among parents and community members about systemic lapses in food handling and oversight.

Parents interviewed by local outlets urged authorities to strengthen food safety protocols governing meals served in government schools, particularly those participating in large-scale lunch programs designed to address child nutrition and school attendance.

While the immediate medical crisis appears to have been contained, the incident underscores persistent challenges facing school meal programs across parts of India, where large volumes of food are prepared daily under tight budgets and logistical constraints.

Government-run lunch initiatives have long been credited with improving student enrollment and nutrition outcomes, particularly among low-income families. However, experts say those gains can be undermined when food safety standards are inconsistently applied or inadequately monitored.

Public health specialists note that reheated food, if not stored and handled correctly, poses a heightened risk of bacterial growth, especially in warm climates. Improper refrigeration, delayed consumption, and insufficient reheating temperatures can all contribute to contamination, increasing the likelihood of gastrointestinal illness among children, who are especially vulnerable.

The recurrence of similar incidents within a short time frame has fueled debate over whether existing inspection regimes are sufficient. Education advocates argue that oversight often varies widely between districts, with some schools lacking trained kitchen staff or access to proper storage facilities.

Although officials have not yet released findings from the ongoing investigation, the disciplinary steps taken so far suggest authorities are treating the matter seriously. Observers say the issuance of a show-cause notice to a school principal is a notable move, signaling accountability beyond frontline kitchen staff.

Incidents involving school meals tend to resonate strongly with the public because they strike at the intersection of child welfare, education and government responsibility. Even isolated cases can erode trust in programs intended to safeguard students’ health and well-being.

Parents and advocacy groups have called for clearer guidelines on reheating leftovers, mandatory food safety training for school staff, and more frequent inspections by health officials. Some have also urged the introduction of real-time monitoring systems or third-party audits to ensure compliance.

While authorities have yet to outline specific reforms in response to the Telangana cases, similar incidents in other regions have previously led to temporary suspensions of meal programs, revised safety protocols, and expanded training for kitchen workers.

As investigators work to determine the precise cause of the children’s illnesses, the episode serves as a reminder of the delicate balance between scale and safety in public nutrition programs. Ensuring that millions of meals are delivered efficiently each day remains a logistical achievement, but one that carries inherent risks if safeguards falter.

For the families affected in Khammam District, reassurance will likely depend not only on the recovery of the children but also on visible steps to prevent a recurrence. Whether the latest case prompts lasting changes in oversight or remains another entry in a troubling pattern may shape public confidence in school meal programs well beyond this community.

For now, officials say all affected students have returned home in stable condition, while parents and educators await the outcome of the investigation and any measures that may follow.

People.com

Russian drone strike kills at least 12 in Dnipro as Ukraine-Russia peace talks set for next week

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At least 12 people were killed and several others wounded when Russian drones struck the Ukrainian city of Dnipro, hitting a bus transporting mineworkers, Ukrainian authorities said Sunday, as President Volodymyr Zelenskyy announced that the next round of Ukraine-Russia peace talks will be held later this week.

Emergency services said the strike sparked a fire that was later extinguished. The attack targeted a vehicle owned by DTEK, Ukraine’s largest private energy company, which accused Russia of carrying out what it described as a large-scale assault on energy infrastructure in the Dnipropetrovsk region.

DTEK said the bus was transporting miners from a shift when it was hit near the Ternivska mine east of Dnipro. Ukrainian Energy Minister Denys Shmyhal condemned the strike, calling it a deliberate and cynical attack on civilian energy workers.

The assault came days after U.S. President Donald Trump said Moscow had agreed to temporarily halt attacks on Kyiv and other major cities amid freezing winter conditions that have worsened humanitarian conditions across Ukraine.

Hours earlier, Ukrainian emergency officials reported that Russian drones also struck a maternity hospital in the southern city of Zaporizhzhia, injuring six people and igniting a fire in the gynecology reception area. The blaze was later brought under control, regional officials said.

Meanwhile, Zelenskyy said planned trilateral talks involving Ukraine, Russia and the United States, initially expected to take place Sunday, were postponed to Wednesday and Thursday in Abu Dhabi.

“We have just received a report from our negotiating team. The dates for the next meetings have been set for Feb. 4 and 5,” Zelenskyy said in a Telegram statement, adding that Ukraine was prepared for substantive discussions aimed at ending the war.

There was no immediate response from U.S. or Russian officials. On Saturday, Russian envoy Kirill Dmitriev said he held what he described as a constructive meeting with U.S. representatives in Florida as part of ongoing diplomatic efforts.

Details of the Abu Dhabi talks remain limited, though they are part of a yearlong push by the Trump administration to broker a settlement to nearly four years of full-scale war. While both Moscow and Kyiv have signaled openness to negotiations, sharp divisions remain, particularly over territory in eastern Ukraine’s Donbas region occupied by Russian forces.

Overnight, Ukraine’s air force said Russia launched 90 attack drones, with several striking multiple locations. Local officials reported additional casualties from drone strikes in Dnipro and shelling in the southern city of Kherson. Russia’s Defense Ministry said its forces targeted transport infrastructure used by Ukrainian troops and claimed its air defenses shot down Ukrainian drones over western Russia, without reporting damage or casualties.

AP

Snoop Dogg’s granddaughter dies at 10 months, family shares tributes

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Snoop Dogg’s family is mourning the death of his granddaughter, Codi Dreaux, who died at 10 months, according to posts shared by her parents on social media.

Codi’s mother, Cori Broadus, announced the loss Saturday in an Instagram Stories post featuring a black-and-white photo of herself holding her baby. “Monday I lost the love of my life. My Codi,” Broadus, 26, wrote over the image, adding an angel wing emoji.

Codi’s father, Wayne Deuce, also shared tributes on Instagram Stories, posting photos of himself with his daughter. “I been the saddest since u left me Codi Dreaux. But I know u at peace. Daddy will always love you,” he wrote, adding simply, “My baby.”

Broadus, the youngest child and only daughter of the rapper Snoop Dogg, has previously spoken publicly about her daughter’s fragile health. In a February 2025 Instagram post announcing Codi’s birth, she said the baby arrived three months early at 25 weeks of pregnancy.

“The princess arrived at 6 months,” Broadus wrote at the time, sharing a photo of the infant’s foot. She described an emotional and difficult pregnancy, saying she struggled with self-blame before finding reassurance in her faith. “Baby girl came at 25 weeks today and she’s perfect as ever,” she wrote, thanking God for carrying her through the ordeal.

Broadus later disclosed that doctors delivered the baby by cesarean section after she developed HELLP syndrome, a serious pregnancy complication involving the breakdown of red blood cells, elevated liver enzymes and low platelet levels.

Codi spent roughly 10 months in a neonatal intensive care unit. Earlier this month, Broadus shared that she had finally been able to bring her daughter home. In a Jan. 6 Instagram post showing the pair cuddled together, she wrote, “She’s home,” and thanked supporters for their prayers and messages.

Broadus first revealed she was expecting a daughter in December 2024, telling E! News that doctors considered her pregnancy high risk. “Doctors were very concerned for me and the baby,” she said at the time, adding that she leaned heavily on her faith throughout the experience.

The family did not disclose the cause of Codi Dreaux’s death.

People.com

Carlos Alcaraz beats Novak Djokovic to become youngest man to complete career Grand Slam

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Carlos Alcaraz made tennis history Sunday night at Melbourne Park, defeating Novak Djokovic to become the youngest man ever to complete a career Grand Slam.

The top-ranked Spaniard rallied from a set down to beat Djokovic 2-6, 6-2, 6-3, 7-5 in the Australian Open final, denying the Serbian star a record 25th major singles title and handing him his first defeat in 11 finals at the tournament.

At 22 years and 272 days, Alcaraz completed a full set of all four major singles titles, breaking a record that had stood since Don Budge achieved the feat at the 1938 French Championships at 22 years and 363 days.

Djokovic came out aggressively, dictating play early as he chased another piece of history, but Alcaraz absorbed the pressure and gradually turned the match. The Spaniard chased down shots that are normally winners for Djokovic and sustained relentless pace during extended rallies, forcing errors from his 38-year-old opponent as the match wore on.

After sealing the victory, Alcaraz dropped his racket and lay on his back on the court, hands on his head, before rising to embrace Djokovic at the net. As he left the court, he signed the television camera lens with a simple message: “Job finished. 4/4 Complete.”

Djokovic congratulated Alcaraz warmly, smiling as he spoke with him at the net. Alcaraz then ran to the stands to embrace his coaches and family, including his father, celebrating his first Australian Open title.

Paying tribute to his opponent during the trophy ceremony, Alcaraz described Djokovic as a constant source of inspiration. He also thanked his support team after a turbulent preseason that followed his split with longtime coach Juan Carlos Ferrero, with Samuel Lopez stepping in to lead the team.

“Nobody knows how hard I’ve been working to get this trophy,” Alcaraz said. “I’ve chased this moment for so long. We did the right work, and you pushed me every day to do the right things.”

Djokovic suggested the final could be the start of a rivalry that defines the next decade, before turning the spotlight fully on the champion.

“What you’ve been doing can only be described as historic,” Djokovic said. “It’s legendary. Congratulations, and I wish you the best for the rest of your career.”

Both players entered the final after grueling five-set semifinal victories and displayed remarkable stamina over just more than three hours. Alcaraz converted five of 16 break points, while Djokovic took two of his six chances.

The loss means Djokovic has now been blocked from a 25th major title in nine consecutive Grand Slam tournaments by either Alcaraz or Jannik Sinner. Djokovic, who edged Sinner in the semifinals, was also attempting to become the oldest man to win a Grand Slam singles title in the Open era.

Rafael Nadal, the 22-time major champion, watched the final from the stands, prompting comments from both players during the ceremony. Djokovic joked about the imbalance of Spanish legends in attendance, while Alcaraz called it an honor to play in front of Nadal, whom he said had watched him since his early teens.

Alcaraz now owns seven Grand Slam titles, adding the Australian Open to his previous triumphs at Wimbledon, the French Open and the U.S. Open. He is the ninth man to complete a career Grand Slam, joining an elite group that includes Djokovic, Nadal and Roger Federer.

AP

8 inmates, including 4 murder suspects, recaptured after Louisiana jail escape

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All eight inmates who escaped from a Louisiana jail — including four accused of murder — were recaptured and returned to custody Saturday after a sweeping, multi-agency manhunt, state police said.

Louisiana State Police announced shortly after midnight that the final three fugitives had been located, bringing an end to the search that began after the group broke out of the Riverbend Detention Center early Friday.

Authorities said the inmates, whom officials described as violent offenders, escaped around 1:20 a.m. Friday. The breakout triggered a coordinated response involving local, state and federal law enforcement agencies.

State police said Hugo Molino, 27; Trenton Taplin, 29; and Savon Wheeler, 31, were captured first. They were followed by Destin Brogan, 22; Kelin Looney, 21; Krisean Salinas, 21; Kevin Slaughter, 25; and Koplelon Vicknair, 19, whose arrest marked the end of the manhunt.

According to local media reports, Taplin faces charges of first-degree murder and attempted murder. Brogan and Looney are accused of second-degree murder, while Vicknair was awaiting sentencing in connection with a 2023 homicide.

Officials did not disclose how the inmates managed to escape or provide details on the circumstances of their capture. Louisiana State Police said the arrests were carried out as part of a coordinated CREST mission involving multiple agencies.

The escape is the latest in a series of high-profile jailbreaks in Louisiana in recent months.

In December, two inmates accused of violent crimes evaded capture for nearly two weeks after escaping from a jail in southwest Louisiana by dismantling a deteriorating wall and using bedsheets to scale the facility. A third inmate involved in that breakout later died by suicide after being located by authorities.

Earlier, in May, a separate escape involving 10 inmates from a New Orleans jail drew national attention. Investigators later said broken cell doors, a breached bathroom wall and a climb over a security barrier enabled the escape. All 10 inmates were eventually recaptured after a five-month, multi-state search.

The latest incident has renewed scrutiny of jail security across the state as officials continue to investigate how the Riverbend escape occurred.

theindependent

Pakistan security forces kill 145 militants after coordinated attacks across Balochistan

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Pakistan’s security forces killed at least 145 militants during sweeping operations across Balochistan over a 40-hour period following coordinated attacks that rocked the southwestern province, the provincial chief minister said Sunday, calling it one of the deadliest crackdowns in years.

The militants were killed during raids carried out Friday and Saturday, as well as in ongoing clearance operations, Balochistan Chief Minister Sarfaraz Bugti told reporters in Quetta. The military had earlier reported that 92 militants were killed on Saturday alone.

“This is the highest number of militants eliminated in such a short span since the insurgency intensified,” Bugti said, without offering comparative figures.

The violence erupted across multiple districts simultaneously, including Quetta, Gwadar, Mastung and Noshki, underscoring the operational reach of separatist groups in the resource-rich province bordering Iran and Afghanistan. The attacks targeted security forces, civilians and infrastructure, prompting large-scale responses from the army, police and counterterrorism units.

Bugti said at least 17 law enforcement personnel and 31 civilians were killed during the attacks. Hospitals in several districts were placed on emergency footing as casualties mounted.

The banned separatist group Baloch Liberation Army claimed responsibility, saying it launched a coordinated operation known as “Herof,” or “black storm,” aimed at security installations across the province.

Pakistan’s military said the assaults were carried out by what it described as “Indian-sponsored militants,” a claim New Delhi swiftly rejected. India’s Foreign Ministry said the accusations were baseless and accused Islamabad of attempting to divert attention from its internal challenges.

“We categorically reject the allegations made by Pakistan,” Indian Foreign Ministry spokesperson Randhir Jaiswal said, urging Islamabad to address “long-standing demands of its people in the region.”

The military said security forces successfully repelled militant attempts to seize control of any city or strategic facility. Clearance operations were continuing Sunday to ensure no fighters remained in affected areas.

Balochistan, Pakistan’s largest and poorest province, has been gripped by a decades-long insurgency led by ethnic Baloch separatists who accuse the federal government of exploiting the region’s vast natural resources while leaving local communities impoverished.

The latest violence highlights the persistence of militant activity in the province, even as Pakistan confronts other security threats elsewhere in the country, including periodic attacks by Islamist groups linked to the Pakistani Taliban.

Reuters